alto, clarinette basse, électronique, guitare électrique, violon, violoncelle
durée: 12:00
2025
When composing the piece, I was guided by the idea of an ever pulsating energy, constantly present, but somehow unperceived, expressed in sounds that are elusive, but haunting, like sonic phantoms, at once incorporeal and vital. As in the results of the ’Pepper’s Ghost’ technique of Victorian theatre, based on the creation of the illusion of a living being that was apparently present, remaining hidden, with which the only form of contact was the observation of its reflection.
The piece was co-financed by the Ministry of Culture and National Heritage within the ’Composition Commissions’ programme, implemented by the National Institute of Music and Dance.